Betsie Richardson

My oil paintings share a joyful and humorous view of the food, animals, landscapes, and objects that represent our passions and everyday lives. I paint subjects that bring me delight, from scratch made donuts to my six-year-old's cardboard box fort to a baby Highland cow leaning into its big-horned mama. I want viewers to feel like you could reach into the canvas and squeeze a lemon or feel the texture of a bison and believe this beauty exists in the world--because it does.


Still life subjects are my favorite muse. To find inspiration, I sort through beets at the market, buy cakes from local bakeries, and pour craft beer into pint glasses. I arrange the painting subjects in my studio or outside to get the desired light, and use a shadow box to create a chiaroscuro effect. I work from photographs of the food items that rot or lose their foam and fizz and to capture every nuance that makes each subject remarkable.


My landscape and animal paintings capture those moments when nature stuns us with the power of a fleeting moment, like a gift for being present with the environment. I work with wildlife photographers and my own photos on outdoor adventures. I’m inspired by striking colors, powerful weather and scenes in nature that tell a story.


Translating the wonder of life into something beautiful just for the sake of it is one of my favorite traits of being an artist.

About Betsie

Betsie Richardson works in a studio in Garden City, Idaho, where she takes inspiration from the local food growers and surrounding landscapes for her oil paintings. She sells her work at open studio events, fine art fairs, and by appointment. She earned a double-major at the University of Washington in Interdisciplinary Visual Arts and Communications, where she fell in love with oil painting.


Find Betsie's "tastefully naughty" greeting cards and gifts at retailers around the United States, including the Boise and Meridian Co-ops, Idaho Made, and Broadway and Market Street Albertsons.


When not painting, Betsie makes a mockery of dancing and baking with her nine-year-old daughter, runs in the foothills, plays piano, camps, backpacks and travels with her family, meditates, and reads novels by the wood burning stove in her creaky old house.